If you don't want your jaw to smack painfully against the ground, you'd do well to wear a tight chin strap when visiting the Cathedral of Monreale. During our tour, my mouth was wide open, rivulets of drool escaping my gaping jowl. But I didn't care, and I doubt anyone was paying attention. To be inside the Monreale's cathedral and concentrate on anything other than its shimmering beauty is nearly impossible.
Found on the outer limits of the city, the Capuchin catacombs hold the remains of over 8000 souls, their disembodied shells propped up against the walls or resting in open caskets. Down in the cold, dry basement of the monastery, the relentless march of decomposition takes its sweet time. It's a gruesome display. Though some bodies have been reduced to skulls and bones, the majority of corpses are still rotting, and their half-decomposed husks are the stuff of nightmares.
The sculptor Giacomo Serpotta was born in Palermo in 1652, and died there as well, eighty years later. Though he never left Sicily, he achieved a great deal of fame throughout the world for his incredible Rococo stucco pieces. The Oratory of Santa Cita, which he worked on for nearly half his life, is his masterpiece.
Although it's tucked into the maze-like alleys of the Albergheria, the Casa Professa (or the Chiesa del Gesù, as it's more officially known) isn't difficult to find. Just head towards that beautiful green and white tiled dome, visible over most of the neighborhood's rooftops. One of southern Italy's most spectacular Baroque churches awaits.
Tucked into a small plaza just south of the Corso Vittoro Emanuele is the church of San Francesco d'Assisi. Originally built in 1260, the church has undergone many transformations in its 750 years, and still plays an important role in Palermo's religious life.
Exquisitely detailed ligneous benches with patterns intertwining mother of pearl and ivory rest upon the crimson marble floor. Splashes of gold in the chandelier and around the altar only serve to highlight the pure white of the rest of the oratory. A reprint of a work from Caravaggio hangs at the front of the room. (But why a reprint ... ?)
Charming, horseshoe-shaped La Cala was the main fishing port in Palermo, until the 16th century when it lost most of its size due to receding waters. The spot has played an important role in Palermo since the days of the Phoenicians, so it's not surprising that there's a lot to see here.
Whether winding through the narrow alleys of Il Capo, or pushing past tourists along the claustrophobic Vittorio Emmanuele, the massive Cattedrale di Palermo appears suddenly and always comes as a shock.
