Entrance to Monreale's mind-shattering Cathedral was free, so when the ticket lady at the neighboring Benedictine Cloister asked us for €6 apiece, we were expecting to be blown away. Unfortunately, we weren't.
Palermo is bounded to the north by Monte Pellegrino, a rock jutting into the Mediterranean which Goethe described as "the most beautiful promontory in the world". Near the mountain's summit is the Santuario di Santa Rosalia, one of Palermo's many patron saints. The mountain park and the sanctuary can be easily visited in a few hours, and make a great escape from the noise and traffic of the city.
The sculptor Giacomo Serpotta was born in Palermo in 1652, and died there as well, eighty years later. Though he never left Sicily, he achieved a great deal of fame throughout the world for his incredible Rococo stucco pieces. The Oratory of Santa Cita, which he worked on for nearly half his life, is his masterpiece.
One of the best birds-eye views of Palermo can be had from the top of the Torre di San Nicolò, near the Ballarò market in the Albergheria. The late-Gothic tower was constructed in the 13th century for defensive purposes, and now belongs to the adjoining San Nicolò church. For a structure built so long ago, the tower is in remarkable condition, and you'd have a hard time finding a better panorama of the medieval city.
Whether winding through the narrow alleys of Il Capo, or pushing past tourists along the claustrophobic Vittorio Emmanuele, the massive Cattedrale di Palermo appears suddenly and always comes as a shock.
Near Palermo's Quattro Canti is the Church of Santa Caterina, whose modest exterior belies the Baroque magnificence waiting inside. Construction on the church began in 1566, but the interior decoration dates from the 17th and 18th centuries, when Baroque was at its height, and the Catholic church was encouraging intricate detail and emotional themes.
North of the Piazza Verdi, the impossible alleys and medieval monuments of Old Palermo give way to New Palermo, which feels like an entirely different city. Modern buildings, wide streets, usable sidewalks, fashionable shops and trees. In the ancient center of Palermo, trees are rarity; our dog had to adjust to peeing on cement (she didn't seem to mind).
The uneven, twisting alleyways which dominate the ancient center of Palermo are charming, but a navigational nightmare. Funny, then, that the dead center of the historic district is an impeccably laid-out intersection, and one of Europe's earliest examples of urban planning.
