If you’re an adult human living in the 21st century, you have at some point in your life suffered a catastrophic computer crash. You’ve been faced with the choice of whether to try and recover your system, or just start fresh with a clean install. And you’ve probably learned that, almost always, the best option is to start clean and reinstall from scratch. Restorations rarely work and, even if you’re able to cobble your computer back to a semi-functional state, there are usually problems. No, it’s best to bite the bullet, lose some work, and start over. For metaphorical proof from history, just look at the Sicilian city of Noto.
One of the top sights in Palermo is the Norman Palace, on the western extreme of the old city center. A massive complex built in the 11th century, the palace is still used today as the seat of the Sicilian government. Tourists are allowed in, but understandably restricted to a small section.
Second in importance only to Palermo’s Cathedral, the Chiesa di San Domenico is a church found in the Vucciria neighborhood. Originally constructed between 1458 and 1480, the church sits away from Via Roma at the back of the plaza that shares its name. With its impressive Baroque facade and its sheer size, we couldn’t resist taking a peek inside.
Although it’s tucked into the maze-like alleys of the Albergheria, the Casa Professa (or the Chiesa del Gesù, as it’s more officially known) isn’t difficult to find. Just head towards that beautiful green and white tiled dome, visible over most of the neighborhood’s rooftops. One of southern Italy’s most spectacular Baroque churches awaits.
Tucked into a small plaza just south of the Corso Vittoro Emanuele is the church of San Francesco d’Assisi. Originally built in 1260, the church has undergone many transformations in its 750 years, and still plays an important role in Palermo’s religious life.
Near Palermo’s Quattro Canti is the Church of Santa Caterina, whose modest exterior belies the Baroque magnificence waiting inside.
Construction on the church began in 1566, but the interior decoration dates from the 17th and 18th centuries, when Baroque was at its height, and the Catholic church was encouraging intricate detail and emotional themes.