Some artists work with clay, others with watercolors. Many use spray paint cans and empty urban landscapes, while others busy themselves with pastels. And, as we've now learned, there are some artists whose medium consists of discarded junk found on street corners. Maurizio Ruggiano belongs to the latter group, and we had the chance to visit him in his tastefully cluttered apartment in La Kalsa.
Palermo is bounded to the north by Monte Pellegrino, a rock jutting into the Mediterranean which Goethe described as "the most beautiful promontory in the world". Near the mountain's summit is the Santuario di Santa Rosalia, one of Palermo's many patron saints. The mountain park and the sanctuary can be easily visited in a few hours, and make a great escape from the noise and traffic of the city.
Found on the outer limits of the city, the Capuchin catacombs hold the remains of over 8000 souls, their disembodied shells propped up against the walls or resting in open caskets. Down in the cold, dry basement of the monastery, the relentless march of decomposition takes its sweet time. It's a gruesome display. Though some bodies have been reduced to skulls and bones, the majority of corpses are still rotting, and their half-decomposed husks are the stuff of nightmares.
The sculptor Giacomo Serpotta was born in Palermo in 1652, and died there as well, eighty years later. Though he never left Sicily, he achieved a great deal of fame throughout the world for his incredible Rococo stucco pieces. The Oratory of Santa Cita, which he worked on for nearly half his life, is his masterpiece.
The beginning of November has traditionally been a time for the dead in Italy. A mix of somber religious reflection, modern costume parties and bittersweet remembrances of deceased family members, the Italian celebrations have roots which stretch back centuries, but which have also been affected by outside influence, particularly American.
The hardest part of moving to a new city every three months is finding a suitable apartment. But we really lucked out when planning our stay in Sicily, and discovered Casa Zatlò over the excellent website VisitPalermo.it, with almost no effort. We couldn't be happier with our new temporary home, and can totally recommend it to anyone who wants to stay in something a little homier than a hotel.
From the regal statues of the Quattro Canti to the delicate stucco work inside the Oratorio di San Lorenzo, it's apparent that sculpture has always played an important role in Palermo's art scene. We had the chance to meet one of the city's modern sculpture artists, Daniele Franzella, who showed us into his apartment and workshop.
As we were leaving the Santa Caterina on Plaza Bellini, eyes still bruised by the church's baroque extravagance, another of our senses came under attack. Like Micky Mouse following the scent of cake, we became captive to a strong whiff of coffee. Powerless to resist, we were carried to the doors of Torrefazione Ideal.
Although it's tucked into the maze-like alleys of the Albergheria, the Casa Professa (or the Chiesa del Gesù, as it's more officially known) isn't difficult to find. Just head towards that beautiful green and white tiled dome, visible over most of the neighborhood's rooftops. One of southern Italy's most spectacular Baroque churches awaits.
Apparently, cilantro isn't an herb much used in Sicilian cooking. The stand in the Vucciria Market had piles of basil, sage and oregano, but the seller had never heard of cilantro. Still, he was determined to help me out, and asked if I would recognize it by sight. "I think so, probably". Producing herb after herb from the back of his store, he held out branches for me to sniff and inspect.
